After reading The Joy Luck Club, it is clear that Amy Tan does Asian mother-daughter relationships like no other. So, I was happy to pick up her second novel, The Kitchen God's Wife, and find that she continued with the theme. The book initially takes place in the Bay Area, and focuses on Pearl, the daughter of Chinese immigrant, Winnie. Pearl is suffering from MS, but has not yet told her mother, for fear of worrying her unnecessarily. Winnie, on the other hand, has secrets of her own - about her past in China, a former husband, other children, and a life she thought she left behind decades ago. But, when meddling Aunt Helen, who holds both womens' secrets, decides it is time for mother and daughter to come clean, Winnie begins to tell her story. The remainder of the novel takes the reader back to China to learn about Winnie's difficult beginnings where tragedy upon tragedy mount, and just when you think things couldn't get any worse, of course they do. I found myself incredibly annoyed with the portrayal of children in this novel - as selfish, demanding creatures with no manners - but as the book continued I believe this was intentional on Tan's part - a reminder the subsequent generations are often ignorant of the struggles their mother's have gone through on their behalf, and a window into how their behavior might be altered if they understood sacrifces that had been made for them. The plot does have the depressing effect I experienced earlier this month while reading Push, given that one bad thing after another happens. But, unlike Push, I found this book well-written, the plot and characters engaging, and the reflection of the characters on their experience particularly valuable. Of course, one could also chalk it up to my ability to relate to Tan's characters and families more than I could related to those of Precious. While difficult to get through at times, an emotionally worthwhile read.
We may not brush our hair, change out of our pajamas, or sit down at the dining table, but we always make time to read.
Thursday, May 20, 2010
The Kitchen God's Wife - Amy Tan
After reading The Joy Luck Club, it is clear that Amy Tan does Asian mother-daughter relationships like no other. So, I was happy to pick up her second novel, The Kitchen God's Wife, and find that she continued with the theme. The book initially takes place in the Bay Area, and focuses on Pearl, the daughter of Chinese immigrant, Winnie. Pearl is suffering from MS, but has not yet told her mother, for fear of worrying her unnecessarily. Winnie, on the other hand, has secrets of her own - about her past in China, a former husband, other children, and a life she thought she left behind decades ago. But, when meddling Aunt Helen, who holds both womens' secrets, decides it is time for mother and daughter to come clean, Winnie begins to tell her story. The remainder of the novel takes the reader back to China to learn about Winnie's difficult beginnings where tragedy upon tragedy mount, and just when you think things couldn't get any worse, of course they do. I found myself incredibly annoyed with the portrayal of children in this novel - as selfish, demanding creatures with no manners - but as the book continued I believe this was intentional on Tan's part - a reminder the subsequent generations are often ignorant of the struggles their mother's have gone through on their behalf, and a window into how their behavior might be altered if they understood sacrifces that had been made for them. The plot does have the depressing effect I experienced earlier this month while reading Push, given that one bad thing after another happens. But, unlike Push, I found this book well-written, the plot and characters engaging, and the reflection of the characters on their experience particularly valuable. Of course, one could also chalk it up to my ability to relate to Tan's characters and families more than I could related to those of Precious. While difficult to get through at times, an emotionally worthwhile read.
Wednesday, May 19, 2010
What the Lotus Said - Eric Swanson
As with many people, I have an inexplicable interest in Tibet (well, perhaps most other people can explain their fascination). But, as I've said on this blog before, I do not have much of an interest in Americans who travel to far-off lands to "find" themselves, become all consumed in Buddhist (or other religious) traditions, and then return home to write books or otherwise look down on those of us who have not been similarly enlightened. Despite this, I find that I continue to read these books, if only for the vicarious thrill of traveling to these far-off lands. And perhaps, the hope that I will also be inspired to someday find myself. The author of this memoir claims that his journey to Tibet and back with a Tibetan lama and several other Americans is "not about what you think." I'm not quite sure what he thinks I thought it would be about, but I found this to be a pretty typical attempted journey to enlightenment book. The one thing Swanson doesn't do is describe Tibet as overly picturesque, or pull punches when it comes to describing the sketchy hostels he stays in or the long arduous bus rides he endures. The reader does not get the sense that Swanson has fallen in love with Tibet and its inexplicably magical ways - and I did appreciate that sense of honesty about the experience. The book is written in a fragmented way that is, I believe, supposed to mirror the writing in the Tibetan Book of the Dead (which I have not read). Rather than coming across as wise or insightful, however, it just struck me as a pretentious attempt to sound wise or insightful and it did not work for me. For me, the attempts at humor through the book failed, and just came across as flip and disrespectful to the culture he was allegedly trying so hard to become one with. My long-distance love affair with Tibet continues, however, and I remain in search of the memoir that will get it right for me (maybe I should just book a trip for myself soon).Sunday, May 16, 2010
Stones into Schools - Greg Mortenson
A few years ago I read and was deeply inspired by Greg Mortenson's first book, Three Cups of Tea, about his organization, Central Asia Institute, and their efforts to establish schools (mostly for girls) in remote regions of Pakistan and Afghanistan. Yet, when I saw that he had published this second book, I didn't find myself rushing to read it. And, I'm not sure why - maybe because I thought it would just be more of the same - another 500 pages about the difficulties of getting through to people who believe that young women have no place in a classroom, the hardships of transporting materials to build the schools to such remote regions, the danger of challenging foreign governments and the Taliban. Or, maybe I just didn't want to be reminded that there are people out there who are so selflessly dedicated to literacy, peace, and young girls, while I sit at home and just read about them. Whatever the case, I did finally pick this one up - and from the first page of Khaled Hosseini's introduction to Mortenson's own epilogue, my eyes were filled with tears and my heart simply full from the wonder and amazement of the work being done by the people of CAI, and those they work with in Azad Kashmir and Pakistan. The book is a continuation of the work described in Three Cups of Tea, with a focus on a single school that took over a decade to build, as Mortenson describes the various barriers to achieving his ultimate goal of literacy and access to education for all children, but particularly young girls. The statistics throughout the book are staggering, but I was particularly touched by Mortenson's continual reminder of an African proverb that says something along the lines of - "Educate a boy and you educate an individual. Educate a girl, and you educate a community." Mortenson's message is a testament to the power that women hold in their communities - and the reason why the Taliban and other leaders seek to prevent the education of young girls. Some of the most amazing moments in the book come in realizing what men in these regions who work with Mortenson are putting on the line to educate their girls and better their own countries. Mortenson also shares a lot in this book about his own limitations - the sacrifices he has made in terms of losing time with his own children, how much he relies on the support and encouragement of his wife, and how he is not cut out for the fundraising and literary appearances that are now demanded from him. This book is a reminder (one that can be frustrating) that we can and should all be doing more - it doesn't have to be a complete life sacrifice to a calling like Mortenson - it can be just one more hour of volunteer work a week or one more check we write to an organization close to our hearts. It can even be just taking the time to read this book, to get educated, and to value the opportunities we often take for granted.
44 Scotland Street - Alexander McCall Smith (44 Scotland Street Series #1)
One of my favorite series of all time is Armistead Maupin's Tales of the City, which takes place in San Francisco and explores the lives of eccentric friends on Telegraph Hill. Alexander McCall Smith, who must be the world's most prolific writer, is on his way to creating his own world of memorable characters in Maupin's style with 44 Scotland Street, set in Edinburgh originally published as a serial for a Scottish paper. The novel features Pat, a 20-year old in her second gap year, who has just moved into a flat at 44 Scotland Street. Two of her roommates are traveling abroad, and the third, Bruce, is a narcissistic real estate agent with whom Pat comes dangerously close to falling in love. She finds a job at a local art gallery, run by the son of a wealthy investor who knows nothing about art, but has been given the gallery to occupy his time. Other notable characters include Pat's elderly neighbor, Domenica, who provides Pat with advice on all things romantic, as well as a pushy mother and her five year old son who speaks Italian, plays the saxaphone, and finds himself in desperate need of therapy. Pat's main storyline involved the accidental loss of a potentially expensive painting. The story itself was a little silly, but provided a good vehicle for interaction among the various characters and an introduction to the wonderful world of 44 Scotland Street, which continues in Espresso Tales - luckily already sitting on my shelves at home.
Saturday, May 15, 2010
Dead to the World - Charlaine Harris (Sookie Stackhouse #4)
I believe the new season of True Blood is set to start up soon...which means I need to get a move on reading this series because it seems the further ahead of the television series I get, the more I'm enjoying myself. It could also just be that it took Harris a few books to settle into her rhthym, to write less riduculous dialogue, and to explain what's going on just a bit bette. In Dead to the World, Sookie's ex-boyfriend Bill has shipped out of town - which is wonderful because I hate Bill, and without him the story plays out a bit better. Eric the Vampire Sheriff of Area Five, on the other hand, is suffering some sort of amnesia at the hands of witches, and needs to hide out at Sookie's place - a recipe for their ever-anticipated romantic get together. Meanwhile, Sookie's brother Jason has myseriously disappeared, and Sookie must venture further into the realm of the werewolves and not-quite-humans to find him. This installment moves along the relationship between Sookie and Eric, and introduces new packs of supernatural beings to keep the story interesting. This series is starting to take on a comfort-food existence for me. It's nice to know Harris keeps cranking them out, so when I need a fun mindless vampire tale to turn to, there will always be something there.Thursday, May 13, 2010
Push - Sapphire
I haven't yet seen the movie Precious that is based on this book - but given the runaway success of both the film and the novel, I thought I better check it out. The good news is that this book is incredibly short and can easily be read in one short sitting. The book is written from the perspective of the character Precious, an illiterate teenager pregnant for the second time by her own father. She lives with an abusive mother who blames Precious for "stealing her man," and her first child, born with down syndrome is offensively named Little Mongo. Once her second pregnancy is discovered, Precious is sent to a continuation school, where under the guidance of a caring teacher, she learns how to explore her past through writing. The author writes in Precious's voice, meaning that the grammar and spelling throughout the book are horrendous - even worse when she is demonstrating Precious's actual written words in her new journal. I understand the point of this literary device - and have seen it used so many times in books where characters come from the inner city, are immigrants, or otherwise come from disadvantaged backgrounds. I do, however, find that it can distract from the story that is being told. What Sapphire does do well is present the viewpoint of a traumatized and abused young woman. In many ways Precious is wise beyond her years - she has learned to survive - both physically and mentally, and she has within her a desire to be better for her children. What is frustrating is that, through not fault of her own, she has no perspective or ability to understand her limitations - and while the teacher character in the book is supportive in this respect - there is only the haunting reality that Precious's children will end up deprived of the very basic care that she herself was never given. Obviously, this is part of the point of the story - that as a society we have failed countless children and communities on very basic levels - that our welfare system is broken, and that we allow our most precious resources to simply fall through the cracks. What I felt was missing in this story though was a sense of hope - Precious, despite all she has endured does have hope for herself and she is certainly working to better her future for herself and her children - but there isn't really a hint that this is going to turn out very well for anyone. The book and movie have been called "inspirational" and "redemptive." But, I didn't get this sense at all. Perhaps "unfortunately realistic" is more to the point, and lately I've just had a hard time reading stories about such bleak problems that offer no suggestions for solutions. This book seems to just be asking us to recognize that so much pain and horror exists in this world, and that yet the human spirit perseveres. I think we need so much more.Sunday, May 9, 2010
Shadow Tag - Louise Endrich
The premise of this book intrigued me. A woman, Irene, keeps a journal (her red diary). One day she realizes that her husband has been reading it. And so she chooses to continue writing in that journal, albeit with deceptive and misleading entries, while also beginning her new real journal (the blue notebook). Had the story of Irene's disintegrating marriage, the turmoil of raising three children while obtaning her PhD, and her losing battle with alcohol been told exclusively through the two journals, I think this would have made for a very interesting read. Instead, I felt as if Erdrich simply used the journals as gimmicky device to pull the reader in, and then somewhat abandoned that narrative in exchange for a rambling disjointed story. The reviews for this book have been overwhelmingly positive, but for me, there was just too much going on that seemed forced and contrived - and not just because the basic premise is Irene's manipulation of her husband Gil through her writing. Gil himself is a painter of Native American imagery - often using his own wife as his subject and placing her in compromising and degrading positions. The portrait of their marriage as so irretrievably broken comes through from the first pages (from Gil's initial decision to read Irene's diary - and the fact that her diary contains so much animosity toward him), and it spirals out of control until the end. This book is bleak, depressing, and wholly unenjoyable. To the extent that is the book Erdrich set out to write, she has certainly succeeded. To the extent I thought I would ever read any of her other twelve or so novels, I think I'll probably take a pass.
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