I feel like the short story form must be making a come-back. After Amy Hempel's collection appeared on the NY Times Best of 2006 list, I have heard a lot of people talking about short story writers, and see many featured in book reviews or in some of my favorite bookstores around town. I can't remember where I first heard about Miranda July, but she is a performance artist whose film "Me and You and Everyone We Know" won a number of awards and accolades at Sundace a few years back. This is her first (I think) collection of short stories, and it was pretty much what I expected. She is kind of a cross between David Sedaris and David Foster Wallace, but with a better feminine perspective. Her stories are short, sometimes shocking, a little weird, but fun and innovative. I often think it must be difficult these days to come up with a unique writing style in which you can still tell a good story. It seems like everything has already been done - I felt that way while reading this collection. It was a little too familiar, like I'd read the stories before, but I think it was worthwhile for a taste of the future of literature.We may not brush our hair, change out of our pajamas, or sit down at the dining table, but we always make time to read.
Sunday, November 4, 2007
No One Belongs Here More Than You - Miranda July
I feel like the short story form must be making a come-back. After Amy Hempel's collection appeared on the NY Times Best of 2006 list, I have heard a lot of people talking about short story writers, and see many featured in book reviews or in some of my favorite bookstores around town. I can't remember where I first heard about Miranda July, but she is a performance artist whose film "Me and You and Everyone We Know" won a number of awards and accolades at Sundace a few years back. This is her first (I think) collection of short stories, and it was pretty much what I expected. She is kind of a cross between David Sedaris and David Foster Wallace, but with a better feminine perspective. Her stories are short, sometimes shocking, a little weird, but fun and innovative. I often think it must be difficult these days to come up with a unique writing style in which you can still tell a good story. It seems like everything has already been done - I felt that way while reading this collection. It was a little too familiar, like I'd read the stories before, but I think it was worthwhile for a taste of the future of literature.
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